連禽獸都不如!台雙展籲反思人與自然關係|Taiwan Biennial kicks off, centering round human-animal relationship | The China Publish, Taiwan


行為表演快閃活動|Flash Mob Efficiency(The China Publish)

【看CP學英文】由國立台灣美術館主辦的第七屆「2020台灣美術雙年展」(簡稱台雙展)力邀多達49()藝術家攜手展出繪畫、裝置、錄像、行為表演等201組作品,1017展出至2021228日。 

The 2020 Taiwan Biennial that includes a complete of 49 artists/artist teams and 201 artworks, kicked off on Saturday on the Nationwide Taiwan Museum of Advantageous Arts (NTMoFA) in Taichung and is working till Feb. 28, 2021.  

The biennial boasts quite a lot of artwork kinds starting from portray, set up, video and efficiency artwork.   

2020台灣美術雙年展|2020 Taiwan Biennial(The China Publish)

本屆台雙展由臺灣藝術家暨策展人姚瑞中統籌策展,以「禽獸不如」(Subzoology)命題,藉由佛教「六道輪迴」的「畜生道」為切入點,反思人類對自然生物的長期掠奪與宰制。  

Curated by Taiwanese artist Yao Jui-chung, the 2020 Taiwan Biennial, themed “Subzoology,” facilities across the worldwide points regarding the human-animal relationship addressed by the scientific, creative and philosophical scenes.

Primarily based on the ten dharma realms within the Diamond Sūtra and treating the “Buddhist path of reincarnation into animals” as the purpose of departure, the curator seeks to encourage reflection on the long-term human plunderage and domination over pure creatures.

泰雅族行為藝術家瓦旦塢瑪透過身體演示創作〈水世界〉,反思氣候劇變雖迫使人類面臨接連不斷的災難,實則肇因於人類對環境的危害,作品深切傳達善待地球的哲思 |WatdanWuma, an Atayal efficiency artist, creates “Water World” by way of a bodily demonstration, reflecting on the truth that local weather change is forcing human beings to face steady disasters. Nevertheless, it’s really attributable to the hurt we do to the atmosphere, and the work goals to induce folks to deal with the Earth nicely. (The China Publish)
孫懿柔以作品〈植物的血是綠色的〉表達對生命的新詮釋,各種形式的生命都應該被等同視之。 | Together with her work “The Blood of Vegetation Is All Inexperienced,” Solar Yi-jou expresses a brand new interpretation of life, during which all types of life ought to be handled equally.

週六開幕當日上午由參展藝術家瓦旦塢瑪、孫懿柔、葉子啓、林人中、傅雅雯+周書毅及鬼丘鬼鏟等帶來「行為表演快閃活動」,藝術家接力以「身體」與「行為」共譜對生態環境的反思與悲歌,為展覽揭開序幕。   

“Flash Mob Efficiency” opened the annual exhibition on Saturday in Taichung’s coastal space, that includes native performers together with WatdanWuma, Solar Yi-jou, Yeh Tzu-chi, River Lin, Fu Ya-wen+Chou Shu-yi, and Ghost Mountain Ghost Shovel.  

By ‘our bodies’ and ‘actions,’ the stay efficiency artwork goals to have the viewers reflecting and lamenting on the ecological atmosphere.    

戶外演出終站由「阿川行為群」創辦人葉子啓,透過身體作為工具進行〈網〉的創作,展現極具生命力的行動藝術能量 | Yeh Tzu-chi makes use of his physique as a instrument to create ‘Web’ in an artwork efficiency energetic. (The China Publish)
林人中透過作品〈老娘是狐仙〉,深入探索性別的流動與定義 | River Lin explores the fluidity and definition of gender by way of his work ” Je suis Huxian.” (The China Publish)
瓦旦塢瑪則以〈異胎〉展開對生命的解讀 | WatdanWuma’s efficiency “Hetero embryo” interprets human’s life. (The China Publish)

當日活動展演場域連結至與臺中有地緣之場所,從清水區的海洋生態館、大安港媽祖文化園區、最後再回到國美館,藉以呼應本展觸及之生態環境議題。  

In response to the ecological and environmental points the exhibition regarding, the flash mob performances happened on the Taichung Museum of Marine Ecology surrounding space in Qingshui District, the Da’an Port Mazu Tradition Park, and eventually again to the NTMoFA. 

清水區的海洋生態館(左)、大安港媽祖文化園區|Taichung Museum of Marine Ecology surrounding space (left) in Qingshui District, to the Da’an Port Mazu Tradition Park. (The China Publish)
藝術家孫懿柔透過作品〈變相〉展現對宇宙萬物的敬畏情感,呼籲應尊重生命、嘗試多維思考。 | By her efficiency titled ” Hetero embryo”, artist Solar Yi-jou
expresses her reverence for all the things within the universe and requires respect for all times and multidimensional pondering. (The China Publish)

 台雙展分為七大展覽子題,包含「獻祭與救贖」、「生物經貿潛史」、「無名戰爭肖像」、「實驗室╱手術室╱標本室」、「節慶╱沙洲╱綠覆率」、「獸倣者╱獸形人」、「棲息地/動物園/國家公園」以及「行為暨臨場藝術/多媒體裝置表演」。   

The exhibition contains seven sub-themes “Sacrifice and Salvation,” “The Sub-history of Wildlife Commerce,” “Portrait of Unknown Heroes,” “Laboratory/Working Room/Specimen Room,” “Festivals/Sandbanks/Inexperienced Protection Ratio,” “Beast Mimic/Tortured Beastnoid,” “Habitat/Zoo/Nationwide Park” and “Efficiency & Reside Artwork/Multimedia Set up & Efficiency.”

孫培懋-望著紅龍而忘了時間的男子|Time flies whereas looking at Crimson Arowana by Solar Pei-mao (The China Publish)

策展人以這七大主題切入,旨在提醒社會大眾反思地球上各類有情眾生艱苦困境,善待其他生物便是保佑子孫綿延、長居久安之。  

Seven subthemes function factors of entry for this yr’s biennial and are a reminder to the general public to replicate on the devastation that confronts all of beings on Earth. Being type towards all life is the important thing to our longevity and a blessing to all our descendants. 

許尹齡-金馬|Golden Horse by Hsu Yin-ling (The China Publish)

展覽地點:國立臺灣美術館 No. 2, Part 1, Wuquan West Highway, West District, Taichung Metropolis, 403 

日期:2020年1017日-2021228日 | Date : Oct. 17, 2020 – Feb. 28, 2021 

更多詳細資訊 | Information

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